Light sculpture for the Schwerin market square

Light sculpture for the Schwerin market square

microlightsculpture 01 The microlightsculpture in Schwerin was the first in a series of light sculptures that the architect and artist Ruairí O‘ Brien deliberately created using simple means, simple materials and simple construction as a homage to the art of architecture, to the effect of light on people, space and time developed. An object measuring 3 x 3 meters was created for the Schwerin market square, consisting of 3 identical, variably combinable module parts, which in the present composition form a cube space and form a focal point for the lighting theme with a quiet action character. During the day it takes on the function of a shadow caster , in the evening that of an alternator. It subtly reflects the chronology of daily routine and the dramaturgy of life and ergonomically illustrates the relationship between micro and macro scales.

Leipzig, information sculpture “89”

Leipzig, information sculpture “89”

20 years of peaceful revolution – information sculpture / exhibition Client: City of Leipzig / Leipzig Tourismus und Marketing GmbH This spatial information sculpture was created to mark the anniversary of the peaceful revolution. Boards provide information about the historical event in autumn 1989, about the Leipzig Light Festival and the artists who took part in it. The sculpture thus forms a connecting element to the current installations taking place in public spaces and informs visitors about the historical events of 1989.

Mittelbau Dora Concentration Camp Memorial, Nordhausen

Mittelbau Dora Concentration Camp Memorial, Nordhausen

Redesign of the didactic access to the tunnel system Competition entry, 3rd place Our concept “points and lines” consists of two elements: points of information and lines of paths between them. This concept includes the didactic idea that the line of light guides the visitors and the information columns (points) mark the destinations. The information columns or information light sculptures convey the history and provide the guided tours with gathering points where visitors can receive visual information together and be explained together by the tour. The light lines are guiding elements that lead to these information points and at the same time illuminate the room. Both the information modules and the lighting differ significantly in their design from the original surroundings and thereby convey a distance to the original historical tunnel system. Since the exhibition elements are moved away from the walls and ceiling, they expose them or the entire surrounding space. We are pleased that we were able to achieve third place in this competition with numerous renowned participants. You can find our concept in detail here.

Interaktivroom 3+4

Interaktivroom 3+4

Architecture-theater-dance project in the Dresden Project Theater Movable boxes measuring one square meter with dancers moving in and out of the rooms that can be stacked and changed to create a variety of scenes. Questions such as: How much space does a person need or does the interaction of people with their built environment influence our interaction with one another. Inside and outside, day and night, light and darkness, security and risk, communication and non-communication, loneliness and togetherness were all part of an “architectural dance”. The architecture-theater-dance project was performed at the project theater in Dresden. Visitors moved freely through the city/landscape architecture and interacted with the dancers. The boxes were examples of simple, low budget, affordable architecture. The production is Ruairí O’Brien’s first “microarchitecture” project and the precursor to his micromuseum® series.

Hologramm Machine

Hologramm Machine

Holographic exhibition module for the German Hygiene Museum, Dresden The architectural concept conveys the history of the house as reflected in its key objects. The human being as a body that can be dismantled and made transparent is compared with architecture and inspired by it (structural representation of skin, skeleton, organs; proportions, symmetry/asymmetry, etc.). The wholeness of the human body, made up of individual parts, corresponds to the interplay of the architectural modules, each of which, as a micro-architectural, self-sufficient element, also forms a part of the whole. A first building block, the architectural installation “Winged Altar” for the “Anima” that returned from EXPO 2000, was already on display in the German Hygiene Museum. Client: German Hygiene Museum Foundation

Columbia concentration camp memorial

Columbia concentration camp memorial

Artistic-architectural concept for marking and making the historical place visible The Columbia concentration camp was one of the first concentration camps during the Nazi era and was located on the northern edge of the Berlin Tempelhof airport site, which was demolished when it was built. With the aim of making the building and part of German history visible again in public space, the “Topography of Terror” foundation organized a design competition to which Ruairí O’Brien was invited to develop a proposal. Our heritage-protected and barrier-free concept is deliberately kept simple. The footprint and volume of the missing building are partially marked at the original location using a band made of Corten steel. This allows the entire area to be experienced in many different ways. Thanks to the striking bridge and the large gravel areas, the area can be perceived at different levels. As the viewer moves, his perspective changes and creates new spaces for thinking. The footbridge is at the same time a signal with a long-distance effect, which provides a clear reference to the memorial site and also offers the opportunity to explore the entire area. Sponsor: Topography of Terror Foundation Project partners: Slapa and the spatial planners

Garrison Church

Lighting concept for the church tower of the Garrison Church in Dresden

Temporary light art installation on the occasion of the ÖRNÖ art festival On the occasion of the 21st Dresden Art Festival ORNÖ, Ruairí O’Brien designed an artistic architectural light display for the tower of the Garrison Church of St. Martin in Dresden. The tower was highlighted by the accentuated emphasis on the edges of the building. Through the subtle use of light – the openings of the tower were specifically accentuated with light – the imposing appearance of the building could now be experienced even in the dark, drawing the public’s attention to the building and the festival venue.

Lighting for the micromuseum® for Erich Kästner in Dresden

Lighting for the micromuseum® for Erich Kästner in Dresden

The micromuseum® developed by Ruairí O’Brien, a modern piece of architecture, work of art and interactive working tools, reflects the diverse personality and work of the world-famous children’s book author, poet, media person and journalist Erich Kästner. The careful insertion of a new „heart“ into the listed Villa Augustin on Albertplatz, into the former home of Kästner’s uncle, by means of a microarchitectural implantation of a house within the house – consisting of a multimedia core and 13 mobile, life-sized information modules – creates a living bridge between the past, Present and future as well as all generations. By examining and operating the life-size building blocks such as the multimedia components, visitors gain access to the exhibition content and provide insights into Erich Kästner’s complex world. In which he can gain insights on a self-directed route and at a self-determined pace.

Erich Kästner Museum Dresden

Erich Kästner Museum Dresden

Museum/exhibition architecture, color concept, room program, conversion of the building into museum, event and administrative areas The micromuseum® developed by Ruairí O’Brien, a modern piece of architecture, work of art and interactive working tools, reflects the diverse personality and work of the world-famous children’s book author, poet, media person and journalist Erich Kästner. The careful insertion of a new „heart“ into the listed Villa Augustin on Albertplatz, into the former home of Kästner’s uncle, by means of a microarchitectural implantation of a house within the house – consisting of a multimedia core and 13 mobile, life-sized information modules – creates a living bridge between the past, Present and future as well as all generations. By examining and operating the life-size building blocks such as the multimedia components, visitors gain access to the exhibition content and provide insights into Erich Kästner’s complex world. In which he can gain insights on a self-directed route and at a self-determined pace. Services: Museum conception, planning HOAI Lph.1-9, exhibition design and graphics Client: Support association for the Erich Kästner Museum Dresden

The interactive journey of discovery In Dresden Neustadt, where Erich Kästner lived from 1899 to 1917, the concept of a “walk-in treasure chest” was staged by Ruairi O’Brien. While the traditional museum usually only invites its guests to look at it, visitors to the interactive micromuseum have to take action themselves. The visitor enters the museum on Antonstr. 1, he stands directly in front of an elegant two meter high, three meter long and 1.2 meter wide object. This object is the museum itself, is a work of art in itself that the visitor must examine and operate in order to access the information it contains. A dozen individual parts can be removed like building blocks, the inner parts of which turn out to be well-stocked bookshelves, pull-out drawers and display cases for photographs and personal items. A walk-in core is installed in the middle of the room, a kind of multimedia time machine. In the core, the Kästner researcher will find, in addition to books and other original objects, audio and video technology as well as a workstation through which the latest information on Erich Kästner can be accessed in multiple languages. Through architectural work, Ruairi O’Brien illustrates and combines several real spaces from Kästner’s life in one place. The use of virtual space achieves the greatest possible audience impact while at the same time making ecological gains by saving movement.

The architectural concept Through the resource-saving, microarchitectural implantation, Ruairi O’Brien’s museum concept not only revitalized the authentic old building structure, but also revitalized an important urban development area in the middle of Dresden’s Neustadt and made it accessible to the public for the first time. This living preservation of monuments fulfills the aim of preserving the historical and transporting it into the present and future by developing the existing identity (old building) and harmonizing it with the new (current content and functionality). Individual visitors are invited to discover the life-sized museum building blocks and “look behind them” and delve into individual objects at their own pace and at their own pace. Each of these building blocks is an independent object that, together with the other elements, forms a self-sufficient whole.

The Erich Kästner House for Literature, Dresden

The Erich Kästner House for Literature, Dresden

Renovation of the museum room The structural changes made it possible to comply with the distance regulations required during the Corona pandemic for visitors to the popular Dresden Literature Museum, so that museum operations could be secured during the pandemic. The previously heavily structured rooms of the Erich Kästner Museum, consisting of a cloakroom, hallway and exhibition room, were converted into a spacious museum room using our opening room concept. The entrance and exit of the museum were separated from each other in the new concept. The museum rooms were also redesigned according to Ruairí O’Brien’s color concept. Services: Building construction planning (overall planning, including statics) individual color concept Redesign of the museum rooms Planning / execution 2020 / 2021