Pen & Pencil
Drawings
Drawings
Art with People
Museum project on wasteland revitalization, city and building history The wasteland in Dresden-Johannstadt was revitalized by Ruairi O’Brien from 2002-2005 by creating the prefabricated building museum “Concrete Timeline”. In the micromuseum for prefabricated buildings, the architect addresses a variety of location- and history-specific time windows. Universal questions that also affect future developments from the areas of living, culture, architecture and urban development, art and society are also presented. Further information about the project can be found HERE
The micromuseum®, a modern piece of architecture, artwork and interactive working tool developed by Ruairí O’Brien, reflects the multifaceted personality and work of the world-famous children’s book author, poet, media man and journalist Erich Kaestner.
The careful insertion of a new „heart“ into the listed Villa Augustin on Albertplatz, the former home of Kaestner’s uncle, by means of a micro-architectural implantation of a house into the house -consisting of a multimedia core and 13 mobile life-size information modules- creates a lively bridge between past, present and future as well as all generations. By examining and operating the life-size building blocks as well as the multimedia components, the visitor gains access to the exhibition content and provides insights into the complex Erich Kaestner world. Into which he can gain insights on a self-directed route and at his own pace.
Services: Museum concept, planning HOAI Lph.1-9, exhibition design and graphics
Client: Förderverein für das Erich Kästner Museum Dresden
In Dresden’s Neustadt, where Erich Kaestner lived from 1899 to 1917, the concept of a „walk-in treasure chest“ was staged by Ruairi O’Brien. While the conventional museum usually only invites its guests to contemplate, the visitor of the interactive micromuseum has to become active himself.
When the visitor enters the museum at Antonstr. 1, he stands directly in front of an elegant object that stands two meters high, three meters long and 1.2 meters wide. This object is the museum itself, it is a work of art in itself, which the visitor must examine and operate in order to access the information it contains. Like building blocks, a dozen individual parts can be detached, the interior parts of which turn out to be well-stocked bookshelves, drawers that can be pulled open, and display cases for photographs and personal objects. A walk-in core is installed in the center of the room, a kind of multimedia time machine. In addition to books and other original objects, the Kaestner researcher will find audio and video technology as well as a work station in the core, by means of which the latest information on Erich Kaestner can be accessed in several languages.
Through architectural work, Ruairi O’Brien illustrates and unites several real spaces from Kaestner’s life in one place. The use of the virtual space achieves the greatest possible audience impact while at the same time providing ecological benefits by saving movement.
Through the resource-saving, micro-architectural implantation, Ruairi O’Brien’s museum concept not only revitalized authentic old building fabric, but at the same time made an important urban area in the middle of Dresden’s Neustadt accessible to the public for the first time.
This living preservation of historical buildings fulfills the claim of preserving the historical and transporting it into the present and future by bringing the existing identity (old building structure) to fruition and placing it in harmony with the new (current content and functionality).
The individual visitor is invited to discover the life-size museum building blocks according to his or her own mood and individual pace and to „look behind“ them, to delve into individual objects. Each of these building blocks is an independent object that, together with the other elements, in turn forms a self-sufficient whole.
Theatre
With the literal implantation of a new architectural-thematic heart, the “walk-in showcase” as a micro-architectural implantation in the historic RAD barracks preserved from the former Zeithain prisoner of war camp, the bridge is successfully built between the (structural) past and the present. This glass building, a microclimatic, soundproof object, not only addresses time but also space in a special way and, as a time capsule in a place with a special auratic effect, creates a conscious irritation that sensitizes the visitor to the exhibition theme. In the document house, visitors have the opportunity to independently work through the main topics offered in the operable micro-architectural information sculptures, which are designed in the same exhibition language, constantly offering new perspectives and using light/mirrors to create an intensive connection to the subject matter .
Workshop and Lectures
Art with People
"Baustelle Deutschland" is a project that I designed and carried out on the occasion of the 10th anniversary of German reunification. It took place in an empty shop on the main street in Dresden over the anniversary weekend on October 3rd, 1999. In the shop I had built a wall out of glass blocks. Visitors were allowed to take a glass block of their choice and write or draw their personal comment or thoughts on reunification. They were then asked to place their pad in a pre-drawn maze on the floor of the store. They could place it wherever they wanted. In this way, the glass wall was dismantled and a labyrinth was built. Some participants chose very carefully where to place the block, often reading what the "neighbor" had written before making their statement. I took Polaroid photos of all the participants and pinned their portraits to the shop wall. Hundreds of citizens took part. The campaign was later included in the collection of the Contemporary History Forum of the House of History of the Federal Republic of Germany Foundation.
Art with People